Since every show is cut natively in HD and exported directly for broadcast, I was brought in to make the transition as seamless as possible.ĭylan Osborn and sports editor Brad Feig developed a comprehensive keyboard layout that includes all the 300+ Premiere Pro shortcut options available deep inside the software. With each show using multiple camera formats (RED, 5D, C300, C100, GoPro, Alexa) and no time for transcodes, Premiere Pro was the logical progression in their post production workflow. They broadcast at least 5 shows per day and their editors work around the clock to hit deadlines. They shoot both in their on site studios and on location all around Southern California. TWCS creates all the on-air and web content for the Los Angeles Lakers, LA Dodgers and LA Galaxy. Select the whole item and itll add dissolves to both ends (provided its not touching. Once in the console, type in the command clshowfps 1 without the quotes to make. If you tap the preview button in the source panel, you can trim the clip, even using the traditional I and O keyboard shortcuts. Adds cross dissolves to any item on a video layer you have selected. There are so many buttons, dials, knobs, settings, and keyboard shortcuts to remember. Some of the 25 edit bays and the Master Control Room at TWCSĮarly in 2015, I was hired by Dylan to train over 60 editors at Time Warner Cable Sports (TWCS) in Los Angeles as they transitioned from Final Cut Pro 7 to Premiere Pro. Duplicate your layer by pressing Cmd+D or Ctrl+D on your keyboard. Compare the best Adobe Premiere Rush alternatives in 2022.
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